Ex 7.1 Basic Diminished Scales: Ex 7.2. We’ve met the diminished scale before. Imagine that you are improvising a solo in a song that is in C major, that is, you are using the C major scale. Half Diminished Scale in All Keys - The Key to Playin' In Key. The diminished scale is used to solo over diminished 7 (Dim7) chords. Many authors reinforce that there are two diminished scales: the diminished scale that we have already shown and the dominant diminished scale (or dom-dim scale). It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). This means that (for example) an A diminished scale contains the same notes as a C diminished scale, an E flat diminished scale, and a G flat diminished scale. Moral of the story: the dom-dim scale is the diminished scale applied on top of the dominant chord. {Cn�e؆Km}�����
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�U�Ƭ����x����iO:���b��M��1�W�g�>��q�[ The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. A half diminished chord is simply a minor seventh with a flattened fifth. That is, instead of the sequence being: tone-semitone-tone-semitone, etc; starting from the second degree, we will have: semitone-tone-semitone-tone, etc. This scale is primarily used in jazz music and works well together with alternate seventh chords. �]F��҅�V] �`�[�1ף���+�;���lFg���Ӂښ�t;3���]v SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. It could remind you of something you’ve heard bef… bfj#-K/X�1�م0ݗp���x�i�jP�܈$�>�b/�X�XZ-s�Q�:~��|fS�N����ٺ�g�%ԟ
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x�. There are two diminished scales called the half-whole and whole-half. 706 The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Modes Although used in western and traditional music, these modes are often used in jazz, especially the C melodic minor scale modes. In jazz music however the term Octatonic scale is related to the diminished scale (since the scale is built out of two interlocking diminished seven chords which I'll show you later). After the D chord comes the E minor chord, but we have already mentioned on another article that the diminished chord goes very well as a passing diminished chord between a major and a minor chord (in this case, we would have the Major – Diminished – Minor sequence, being: D, D#°, Em). Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. Some people call diminished scales “Octatonic” scales, as they have 8 notes (counting the root only once). G����D�R�E�x\��+�*[�� the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale �`�Ȫl$��I8��"�}�#�`-�iM6ꐧn��+�s��A{��k'A�x`�&��%�y����H��b��Hۍ1���g���Yq*A�n`�����bQR"sr�Ј"�+�ᆆ�2�wt���rM:-p���bH�Gߤ�F. 2. Diminished Scale Guitar Diagram 2. 26 0 obj In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. It is very worthwhile to invest time in this study. The Dorian scale, by contrast, is a minor tetrachord … There are only 12 keys which means that there are only 3 diminished scales. 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